2006/03/02
mMK~關係的政治
"To connect all the elements, to isolate nothing, to leave nothing out. There is no hierarchy." -T.H.
在Phaidon系列的Thomas Hirschhorn專冊中,請了這個專長於概念藝術批判理論的藝評人Benjamin Buchloh來負責長文,他在文中提到T.H. "suture the spectators in a confrontational dialogic relationship, leading them right into the conflicts between aesthetics and ideology." ..."it is the first task of politicized work to understand these conflicts from within the inextricable entwining of the two spheres."..."Conceptual and post-Conceptual works from Hans Haacke to Martha Rosler, approaches in which an enlightened subject (the artist) appeals to another subject (the spectator), supposedly doomed by flase consciousness. Hirschhorn ... counters it with a full affirmation of the inevitable imbrication of artistic practice within the very centre of ideological interests itself."引用Buchloh,在於把T.H.的連結力,扯回到美學與政治間來理解.
但同書的訪問中,T.H.提到了一段更清楚一針見血的實例:
"As students we are always encouraged to go beyond the Rolls Royce juztaposed with the hungry Third World child. It took me a long time to understand that the really important thing was the Rolls Royce juxtaposed with the hungry Third World child! The action of putting together two things that have nothing to do with each other is the principle of collage - that's where the politics lies." - T.H.
在Phaidon系列的Thomas Hirschhorn專冊中,請了這個專長於概念藝術批判理論的藝評人Benjamin Buchloh來負責長文,他在文中提到T.H. "suture the spectators in a confrontational dialogic relationship, leading them right into the conflicts between aesthetics and ideology." ..."it is the first task of politicized work to understand these conflicts from within the inextricable entwining of the two spheres."..."Conceptual and post-Conceptual works from Hans Haacke to Martha Rosler, approaches in which an enlightened subject (the artist) appeals to another subject (the spectator), supposedly doomed by flase consciousness. Hirschhorn ... counters it with a full affirmation of the inevitable imbrication of artistic practice within the very centre of ideological interests itself."引用Buchloh,在於把T.H.的連結力,扯回到美學與政治間來理解.
但同書的訪問中,T.H.提到了一段更清楚一針見血的實例:
"As students we are always encouraged to go beyond the Rolls Royce juztaposed with the hungry Third World child. It took me a long time to understand that the really important thing was the Rolls Royce juxtaposed with the hungry Third World child! The action of putting together two things that have nothing to do with each other is the principle of collage - that's where the politics lies." - T.H.
